There was a country we could have been and Other Poems

by Annie Zaidi

It isn’t easy to make a person

It isn’t easy to make a person
non-person. It takes guts
(wrenched out of bellies they worked
so hard to fill). It takes balls
(quietly sat on when they come for the neighbours)
It takes a head full of ideas and a phone
full of contacts who will fetch (petrol, guns,
rope, match boxes, lists of their addresses)
It takes a heart that does not fail
when it sees (that the girl is so young
and the child so trusting, he would stop
crying now if only you would stop).


There was a country we could have been

There was a country we could have been
together – utterly shapeless
and well past reform

A laughing country with as many sides
as a well-cut diamond – tumbling valleys
of rusty lakes, rivers above,
seas to the right and left

The world would look and lust
for this land glistening emerald and sapphire
sitting in the sun rocking
on its heels with night’s cool laughter –
How they’d hate us and how they’d long
for our warmth, our knowing, our winking
and getting by

If the mist came down real thick
some morning with the blinding rain
with the mountains plush and forest thick
and the bears standing guard
while everyone was busy fighting –
could we be our country yet?

You understand, in the end

You understand women are broken 
in cars and in bungalows where they are taken blindfold
and in camps where they put themselves together 
with too little water and too much sewage

You do not understand men who pause 
only to measure consequence: 
Break this one? Take her womb, 
her tender reassurances
to her own man?

You understand though
that some men must be enabled to halt
other men and women and demand to see identity papers
As for the rest, you call it senseless
crime although every sense is on high alert
every move considered

They begin with hitting and already know 
what they’re going  to do and already hate her for it
They expose her to the mob so they may strip 
away her right to be who she is 
As an expanse of skin and womanly parts 
she is no longer who she thought she was
She is hateable now and hate is hardly a crime 
Crime is that which is punished
after all

They take turns so they are bound 
tighter by what they do
Brotherhood is the glue that binds 
a community

They do it more than once 
and urge other men in other places 
to break other women until all are bound 
by the thread of what they have done
No one can point fingers or raise brows 

When they are old men 
they will chortle with glee 
at having lived a full life 
free of consequence but for now
they are equipped with cars ropes blindfolds 
They stroke their guns and talk 
of what comes next
They will marry up or buy cheap houses
with gardens still intact, a few flowers still blooming
in pots that were bought by these women

When they get bailed out, you will understand
for men must be free to earn drive feed protect 
You do not understand why women hold their tongues 
why they disappear as witnesses when trials drag 
for years and men petition the courts for leave 
not to appear on grounds of old age and inconvenience

When they are released before time
and welcomed with open arms and flowers
you will say you do not understand the fuss
although you do understand that men can only be blamed
for what they do alone. What they do as men, 
you blame it on war.


Author’s Bio:

Annie Zaidi is the author of Gulab, Love Stories # 1–14, and Known Turf: Bantering with Bandits and Other True Tales which was shortlisted for the Crossword Book Prize (non-fiction). She is the editor of Unbound: 2,000 Years of Indian Women’s Writing. She won The Hindu Playwright Award in 2018 for her play Untitled 1 and the Nine Dots prize in 2019 for her essay ‘Bread, Cement, Cactus’. Her novel Prelude to a Riot won the TATA Literature Live! Book of the Year Award—Fiction in 2020.

Subscribe to our newsletter To Recieve Updates

    The Latest
    • An interview with the Editors of Poetry at Sangam

      Taking down Poetry at Sangam must have generated a plethora of flashbacks of

    • The Usawa Newsletter February ‘24

      How JLF helped me with my undiagnosed dyslexia and ADHD In the bustling city of

    • Artists’ representation of the human body by Ruchika Juneja

      the years of growing up were spent in finding ways to belong and belonging in

    • Preface to Mumbai Traps by Anju Makhija

      the years of growing up were spent in finding ways to belong and belonging in

    You May Also Like
    • The Broken Rainbow By Ruth Vanita

      She says she cannot sleep, smiles as if she’d rather weep My hands are empty as

    • Ghazal By Shahzeb Athar

      A sense of wonder made plain, at Jamia Walls of resistance covered in vain

    • Water Poems By Ruth Padel

      Water Museum You stockpile umbrellas and radiators, a heap of mad grins