Reclaiming Lost Voices: Rashmi Rawat talks to Kinshuk Gupta

     

    Name of the Book: Hashiye Ki Aawazen
    Publisher: Bodhi Prakashan
    Pages: 208
    Cost: Rs 200

     

    Name of the Book: Stee-lekhan Ka Samkal
    Publisher: Aadhar Publication
    Pages: 204
    Cost: Rs 250

    Rashmi Rawat teaches Hindi at Delhi College of Arts and Commerce, D.U. She is an acclaimed critic who has two books to her credit: Stree-Lekhan Ka Samkal (Aadhar Prakashan) and Hashiye Ki Awazen (Bodhi Prakashan). Her monthly columns at Hans, Kathadesh and Sablog are immensely popular among readers. In such a condition—as her foreword in the book Stee-lekhan Ka Samkal asserts—women writers are often sidelined, their works gauged only with a tunnel vision. Stree-lekhan Ka Samkal, then, in a way, becomes Rawat’s way of resistance as she interprets and re-interperts the works of doyens of Hindi literature including Mridula Garg, Usha Priyamavada, Krishna Sobti, among others.

    In Hashiye Ki Awazen, her second book by Bodhi Prakashan, the flawed society and its hypermasculine ways of functioning finds layered mentions. Often subtle, and perhaps slightly irritated and helpless, but never with a sense of disdain, she talks about various situations that have affected her and the people around her. In one of the essays, she is talking about the monopoly of male critics; in another, she is talking about how a Maths professor who is first blamed, and later terminated, for not coming to the college on Fridays— not because of his absence, but because his colleagues don’t themselves come in the lure of a longer weekend. By the end, one also feels the empathy with which Rawat writes, and her firm belief that society can function better if we were to look at the loopholes and find ways to work through them rather than brushing them under the carpet and thinking that that is how it ‘works.’

    Kinshuk Gupta is a doctor, bilingual writer, poet and columnist who works at the intersection of gender, health and sexuality. His debut book of short fiction, Yeh Dil Hai Ki Chordarwaja, modern Hindi’s first LGBT short story collection, was published to great critical acclaim in 2023. He is the winner of prestigious awards and fellowships including the India Today-Aaj Tak Sahitya Jagriti Udayiman Lekhak Samman (2023); Akhil Bhartiya Yuva Kathakar Alankaran (2022); Dr. Anamika Poetry Prize (2021). He has been shortlisted for the Toto Awards for Creative Writing (2023); The Bridport Prize (2022); Srinivas Rayparol Poetry Prize (2021); All India Poetry Competition (2018). He edits poetry for Jaggery Lit and Mithila Review. He has been awarded the prestigious South Asia Speaks 2023 Fellowship to work on his poetry manuscript with Tishani Doshi.

    Rashmi Rawat Rashmi Rawat teaches Hindi at Delhi College of Arts and Commerce, D.U. She is an acclaimed critic who has two books to her credit: Stree-Lekhan Ka Samkal (Aadhar Prakashan) and Hashiye Ki Awazen (Bodhi Prakashan). Her monthly columns at Hans, Kathadesh and Sablog are immensely popular among readers. Her monthly columns at Hans, Kathadesh and Sablog are immensely popular among readers.

    Subscribe to our newsletter To Recieve Updates

      The Latest
      • The Usawa Newsletter April ‘24

        Kabir Deb: Hey Rochelle!

      • The Usawa Newsletter March ‘24

        Much like the title itself, Smitha Sehgal’s maiden poetry collection How Women

      • An interview with the Editors of Poetry at Sangam

        Taking down Poetry at Sangam must have generated a plethora of flashbacks of

      • The Usawa Newsletter February ‘24

        How JLF helped me with my undiagnosed dyslexia and ADHD In the bustling city of

      You May Also Like
      • Half-Burnt Legs by Takbeer Salati

        when they saw her closing her eyes for the first time, they knew death had

      • The City by Vrinda Baliga

        She was a year old when her parents left for the City Varsha, her parents had

      • Cast Out and Other Stories by Sucharita Dutta-Asane reviewed by Varsha Tiwary

        Women’s bodies, the ultimate battleground?

      • Hello Yama By Aneeta Sundararaj

        Based on Actual Events Every year, individuals and communities are affected